Friday, June 5, 2015

Friday Flash Fiction: The Slave of the Truth

This week's flash is based on a title from a random title generator. Here you have 997 words about...

The Slave of the Truth

Initially, Jardon’s parents thought he had been blessed. At the usual naming ceremonies following his birth, he received many of the standard gifts. Neighbors brought toys and food, clothing and blankets. The priests of four gods prayed for him to have courage and endurance and strength and skill.

And the witch known as Gertrude said that he would be ever truthful.

It is likely that even Gertrude thought that she was imparting a blessing. She had never been known to do harm to anyone, and usually was revered for her skill in herbs and medicine. She had, in fact, delivered Jardon safely through a difficult birth, and felt rather maternal toward him. She just wasn’t very good at thinking things through. Honesty was a virtue, and this boy should have all the virtues.

The trouble wasn't obvious at first. When Jardon was small, his parents rejoiced in having a truthful child, one who never lied about who had stolen the cream or broken a teacup. They boasted of his nobility and honor. The other children, who were often caught in misdoing by his words, might have been less enthusiastic, but for the most part they forgave him. They knew he couldn’t help it.

It was as he moved into adolescence that it began to be evident that the blessing might be a curse. Oh, there had been those moments in childhood when Jardon had announced before the whole village that Alvin the Miller had been spending nights in the barn with the neighbor’s servant-girl, or that Mistress Acolon’s pies were too sour to eat, but those were the indiscretions of a child.

But when he became a young man, Jardon began to have more trouble. People would ask him questions, and when pushed for a response, he had to answer with the truth. It wasn’t that they asked about difficult things—everyone in the village knew better than that. But they would ask the same teasing questions they asked other young people: what do you want to be when you grow up? Which of the girls might you want to marry?

Those were bad enough. To the question of what he wanted to be, Jardon always answered “a liar,” and people laughed. He didn’t laugh.

To questions about girls, he gave the truth of the moment. On one day, he thought he might like Alisoun. On another, Millie. When pressed about Katina one never-to-be-forgotten day, he answered that he’d like to bed her, as all the boys did, but wouldn’t marry a girl who would be comparing him to every young man in the village.

Unsurprisingly, by the time he was twenty Jardon found the village too hot to hold him, and had to move on. As long as he kept moving, he didn’t learn enough about anyone to be forced to give unwanted answers, though once or twice he sadly disappointed young flirts who wanted him to tell them they were beautiful. He also learned to keep silent, not to answer even the most pressing questions. That was hard, but not impossible. As he grew in wisdom, he came to understand that silence was always a truthful answer.

The magnitude of the curse struck him unexpectedly at age 25, when the ruler of the land heard of Jardon and took him into his service. Not that Jardon wanted to go. By that time he had grown to like the wandering life, and had seen enough of the world to know that rulers seldom made good employers. But he was taken before the lord in his fine hall by three burly men-at-arms.

“Would you not like to work for me as my official speaker of truth?”

“No,” Jardon answered honestly (as he must). The blessing of courage kept his eye steady and his voice calm, though he sometimes wondered if a bit of cowardice might have taught him to lie.

Lord Farnsworth laughed. “You do, indeed, have the curse of truth. No one would willingly answer so! But every ruler needs one person about him who will speak the truth without fear.”

“I am not fearless,” Jardon said. “It would not matter if I lacked courage entirely. I can only speak truth.”

“Whatever the cost?”

“Whatever the cost.”

Lord Farnsworth considered this. “Do you want the job?”

“No, Sire. But I do not think that I have a choice.”

The ruler laughed again, and Jardon considered that courage might be needed after all. Not to speak the truth, which he could not avoid, but to face what might follow. But why should he stay, a slave to the truth? He looked about, and took a tentative step away from the lord of the realm.

The three armed men stood between him and the exit. Jardon looked from them to the lord.

“You may not leave.”

“I see that.”

“I have too great a need of you to let you go.”

“I see that, too. Might I suggest, Sire, that you never ask me a question to which you do not wish to hear a truthful answer?”

“Yes, I can see that might be wise. Is there anything further you would like to say, Truthspeaker?” Lord Farnsworth liked titles better than names.

“A great deal.”

“And what would that be?” The ruler’s smile was thin now.

“I prefer not to say.”

“But you must, mustn’t you?” The smile was sly now.

“No.” For Jardon had long since learned he had gifts that helped compensate for the curse. “If I speak, I must speak truth. But I have the strength and courage to remain silent if I do not wish to speak the truth. This much I have learned since my youth.  Never will you hear a lie from my lips. But if pushed beyond bearing, I have courage to remain silent. Even the Slave of the Truth has will.”

And even the lord of the realm could be deceived by truth and silence.



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©Rebecca M. Douglass, 2015

Wednesday, June 3, 2015

Middle Grade Review: Frankie Dupont and the Lemon Festival Fiasco



School's out for my boys and I've already lost track of the days of the week...so here's my Wednesday review, a day late and a dollar short.

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Title: Frankie Dupont and the Lemon Festival Fiasco
Author: Julie Anne Grasso 
Publisher: Julie Anne Grasso, 2015, 135 pages (ebook 51 pages).
Source: I was given an electronic review copy in exchange for my honest review and participation in the blog tour.

Publisher's Summary:
Hot off cracking his first official case, Frankie Dupont is on the scene when his new teacher takes ill. The pint-sized detective suspects a classic case of sour grapes, but the evidence leads him to the one place he wouldn’t mind avoiding for the rest of his natural life.

Enderby Manor has a few more secrets up her sleeve, and as Frankie begins to unravel them, he uncovers a plot stinkier than a sardine sandwich. 


Review:
The second volume in the Frankie Dupont mysteries is as engaging as the first, and a bit more grounded in reality. Although I felt a bit of confusion at the beginning over some issues at Frankie's school (which maybe weren't so grounded in reality), once the story shifted over to Enderby Manor we sail quickly through the development of the mystery with a bit of fun and a few mild thrills. I found the malefactor easily, and was a little surprised that Frankie didn't, but his missteps lend interest. Frankie learns a thing or two about leaping to conclusions, and saves the day, as usual!

The illustrations, by Alexander Avellino, add a nice touch to an engaging story for younger readers.

Recommendation: 
Frankie Dupont is for a little younger reader than my reviews usually target. I'd say this would be for the 7-9 set, those transitioning from chapter books to novels. For boys or girls who like a little adventure and a little mystery, without anything scary.   

 

About the Author: Julie Anne Grasso

Julie Anne GrassoWith a background in paediatric nursing, Julie Anne Grasso spent many years literally wrapping children in cotton wool. Every day she witnessed courage and resilience from the tiny people she cared for, which inspired her to write stories to entertain them. A science fiction nerd (she even owns a TARDIS), cupcake enthusiast and lover of all things mystery, she lives in Melbourne with her husband Danny and their little girl Giselle. Most days she can be found sipping chai tea and dreaming up wonderful worlds that often involve consumption of cupcakes.

Website | Blog | Facebook

Twitter | Goodreads


Full Disclosure: I was given a copy of  Frankie Dupont and the Lemon Festival Fiasco as a blog tour participant, and received nothing further from the writer or publisher in exchange for my honest review.  The opinions expressed are my own and those of no one else.  I am disclosing this in accordance with the Federal Trade Commission's 16 CFR, Part 255: "Guides Concerning the Use of Endorsements and Testimonials in Advertising." 

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Monday, June 1, 2015

Historical review: Hospital Sketches by Louise May Alcott

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Title: Hospital Sketches
Author: Louisa May Alcott; Introduction and notes by Alice Fahs
Publisher: Bedford/St. Martins, 2003 (orig. published 1863), 138 pages
Source:  Library book sale

Summary:
During the winter of 1862-3, Louisa May Alcott, burning to do something useful in the war effort, traveled to Washington D.C. and took a job as a nurse in a military hospital. With no real training or experience, Alcott learned a lot in a hurry, including just how miserable a job of treating the wounded men the army was doing. The fictionalized account of the 3 months she worked before becoming too ill to continue was the book that finally gave her the "big break" all authors seek.

Review:
Written with Alcott's usual wit and hyperbole, not to mention sentiment, the Sketches make for easy reading, and offer in a very small package a great deal of insight into not only the conditions of military hospitals  (a new idea largely developed during the Civil War) but also society in general. Alcott was a rabid abolitionist, and you can see in her more known works (Little Women, Little Men and Jo's Boys in particular, I think) both her desire for a non-racist society and the deeply ingrained racism that prevented even the most "advanced" thinkers from truly putting the recently-freed slaves on an even footing.

Ms. Fahs' Introduction and notes set the scene quite well and clarify the many cultural and literary references that Alcott throws about with abandon (sometimes a bit too minutely for my taste, but helpful for many, especially those less into history and literature than I am).

In Tribulation Periwinkle, the character Alcott invents to stand in her place in these narratives, you can definitely see the roots of Jo March as well as the restlessness and ambition of the author herself. And the style, mixing humor and (as noted) sentiment verging on the maudlin (a weakness of the period, I fear), is equally familiar.

Recommendation:
I found this little book (the actual Sketches are only about 70 pages) a fascinating read for both the historical value and for the look into Alcott's developing art (for more on that, look up her first novel, The Inheritance, which was only published in 1997, or the Gothic A Long, Fatal Love Chase, serialized under a pseudonym right after the Civil War). Anyone interested in either the Civil War or Alcott will want to take a look at this book.

Full Disclosure: I bought Hospital Sketches, and should scarcely need to note that I received nothing from the writer or publisher in exchange for my honest review.  The opinions expressed are my own and those of no one else.  I am disclosing this in accordance with the Federal Trade Commission's 16 CFR, Part 255: "Guides Concerning the Use of Endorsements and Testimonials in Advertising."