Thursday, June 6, 2013

Flash Fiction Friday: Scarecrow and Scorpion

This week's Chuck Wendig Flash Fiction challenge involved a list of 10 words, three rolls of the dice, and writing a story in which your three words are not just mentioned, but are actual elements.  My words were scarecrow, mint, and scorpion.  My mind ran first to more weird fiction, but I wanted to write a bit of more realistic fiction, using an historical setting, so I pushed my brain until it worked.  There is still a mystery, but it's not meant to be supernatural.

Scarecrow and Scorpion


   Hattie found the patch of mint growing in the hollow where she played with her dolls—a cooler and damper place than her own farmyard, with two cottonwood trees and a lot of bushes around the spring.  Up at the farmhouse, they got their water from a well, not a spring.  The spring was just around the hill from the soddy, though, so Ma let her go play there alone.  Someone else owned the land, but they didn’t come there to know or care.
   She found the mint by scent.  The smell of trodden mint suddenly filled the cool morning air, and she looked down and saw it.  Ma had made her promise never to eat any wild stuff after the little Carlson girl died from mistaking hemlock for wild onions.  Hattie picked a sprig and took it back to the soddy.
   Ma agreed it was mint, and showed Hattie how they could put some in the water pitcher and make it taste more refreshing.  Then she got a bucket and shovel and they went back to the spring to dig some for their own garden.  A clump near the lowest spot had spread, so they could take some and not harm the main plant.
   The two looked around after they’d put the plant into the bucket and Hattie added spring water.  Ma had been too busy doing all the things a farmwife had to do on a dry farm in the sand hills to visit the spring much.  Now she looked at the hollow and sighed.
   “Someone had a house here,” she said, pointing to the rectangular indentation a ways back from the spring.  “I wonder what made them leave?”  She sighed again, and Hattie knew they both wished they could live by the spring.
   “It gets awfully cold over here in winter, Ma,” she consoled.
   “Right,” Ma smiled.  “I’d better go plant this, and finish my washing.”
   “May I stay and play?”
   Left alone in the hollow, Hattie looked more closely at the plants.  Now that she could see the outline of the old house, she saw it was framed by plants that didn’t grow other places.  She’d always thought they grew because of the spring, but perhaps someone had planted them.  She wondered who had built a house here, and planted mint and flowers and even—yes, a rose bush!—and then left.
There wasn’t even a heap of sod left where the house had been, the way there was over where the Johnsons had moved away two years ago.  Their soddy had crumbled fast with no one to mind the roof and keep it tight.  Hattie bent to pick up something that caught her eye.  A nail.  It must have been a board house.  She supposed the people had taken it down and taken it with them, or others had long since salvaged all the boards.  Wood was expensive and scarce in the sand hills.
   Nails, too.  Hattie carefully laid the nail on a rock so she could find it again—even rusty, Pa could make use of a good nail—and set to looking for more.  She’d found a half dozen when something shinier caught her eye.  This bit of metal hadn’t rusted.
   It was caught fast in the hard ground.  She took a nail and used it to scrape away the dried mud that held the object.  In a minute she held it in her hand—and nearly dropped it.  It was a brooch, but the delicate object was a scorpion, tail curved high over its back, ready to strike.  It was both beautiful and horrible.  But Hattie carried it home along with the nails.
   “Why on earth would anyone make such a beautiful pin of such a dreadful creature?” Ma wondered. 
   Pa shook his head.  “Who knows?  Maybe it had special meaning to the folks who lived there.  No one seems to remember who it was, or why they left.  Someone in the East owns the land, and won’t sell.  Carlson says he tried to buy, because it’s the best section.  But none of his letters got answered.”
   In the end, because none of them really wanted the thing around the house, Hattie took the brooch and pinned it to the scarecrow that guarded their parched garden.
   “Maybe that’ll scare those mean old birds that keep eating the seeds,” she told her Ma.  She showed it to some friends who came to visit the next week, then pretty much forgot about it.

   One October evening an old man came to the door.  He was traveling through, he said, but Hattie and her Ma exchanged looks.  No road led through or past their farm.  But courtesy required that they offer him a meal and a night’s shelter.  He thanked them, and after looking about the single crowded room of the soddy, said he would sleep in the barn.  Pa took him out and made him a comfortable bed in the hayloft.
   In the morning, the man had gone.  Pa just shrugged.  A man as old as that needed a long day to make his distance.
   Two days later Hattie, taking down the tattered remnants of the scarecrow from an autumn garden no longer in need of protection, remembered the scorpion.  It was gone from the checked shirt.  She hunted around, thinking it had torn loose and fallen, but couldn’t find it.
   “Probably got taken by a magpie or a packrat,” Ma said, and went on mixing bread.  “I’m not sorry.  I never liked it.”
   “Me either, I guess,” Hattie said more slowly.  It had been the only bit of jewelry she’d ever had, even if she would never wear such a dreadful creature pinned to her breast!
   Three days later they got a letter.  In it was the deed to the section with the spring, and a single line of writing in a old man’s shaky hand: Now the pin is found, we’ve no more need of the land.  It is yours.

Wednesday, June 5, 2013

Kidlit Reviews: Goblin Secrets

Goblin Secrets (Zombay, #1) 

Kidlit Review, Goblin Secrets, by William Alexander.  Middle Grade fantasy.  223 pages.
Publisher: Margaret K. McElderry Books, 2012
Source: library

Quick summary: young Rownie, an orphan in the city of Zombay, is
looking for his older brother Rowan, and along the way joins a troupe of Goblin actors and escapes from the witch Graba.

Review: Something like steampunk for kids, this book (despite some blurbs on the back cover) was not a classic fantasy tale.  Zombay is a city with a feel of being the ruins of a more mechanical age, with many things--including people--run by clockwork and coal power (well, a clock-work mule would leave less mess on the streets!).  But the overarching tale is classic: a young hero, a quest that isn't quite what he thinks it is, and surprising help and companions along the way.  I was a little put off by the setting (nothing wrong with it, just not my style), and the somewhat dark tone, but found myself caught up in Rownie's struggles, and read the second half pretty much non-stop.

The darkness and some disconcerting weirdness makes me think this is more suitable for about 11 and up, though the writing is accessible for younger kids.  And maybe today's kids are used to this.  I thought that the way the author played with the power of masks--an actor becomes what the mask he wears depicts, because he and the audience believe in it--was interesting and a littl creepy.  It didn't make me want to put on any masks!  So thematically we are looking at the nature of reality, the nature of family, and an underlying political commentary.  Not bad for maybe 30,000 words of kid lit.  There is also a lot that is undeveloped or only hinted at, suggesting the author has left plenty of room for more books in the same setting--the whole nature of the "goblins" is only partially explained and cries out for more, and I hope that Rownie develops a wider view of the city and the world traveling with them, so we can better understand the acting ban, the reasons for the decay and mechanism, and the river.

Four stars.

[Note: I have been learning a little more about the legalities of doing these reviews, and will be going back through my reviews and inserting the appropriate information regarding publishers, copyright holders, and the infamous FTC disclaimer (below).]

Full Disclosure: I checked out this copy of Goblin Secrets from my library and received nothing whatsoever from the author or publisher in exchange for my honest review.  The opinions expressed in this review are my own and no one else's.

Monday, June 3, 2013

Writer's Update

Vacation Dreaming
As part of the Progressive Book Club, I have started reading The Artist's Way, by Julia Cameron.  Now, this isn't a book meant just to read, but a guidebook or workbook meant to be used to help a person find or recover their creativity.  So I admit I'm coming to it from a weird place: I don't feel the least "blocked," and I've embraced my creative self like never before.  That makes it a little unclear what I'm hoping to get from it.  I'll be up front, too: I'm not real comfortable with the religious aspects of the book.  Yeah, I know Cameron says that if you don't believe in God, just ignore the use of that word or substitute "the great creative force" or whatever.  Thing is, any of that requires a belief in some kind of divine force.  Not sure I'm there.

Okay, so I'm trying to see what I can do with this.  In the first week, the two primary tasks are set out: the Artist's Date and Morning Pages.  Okay, I kind of get these.  The Artist's Date is taking a set time each week to do something that nurtures your inner artist.  Trouble is, some of the things she suggests don't interest me much (and she does say this should feel more indulgent than like a duty).  Other things I already do.  I don't need to take my inner artist for a walk on the beach, because I've probably already taken it (along with all the rest of me) for a run on the beach.  I'm thinking that my exercise obsession (especially the strong outdoor component) is keeping me more on track this way.  So this one, maybe I find something that makes sense for me, maybe not.  Working out or working in my garden restores me pretty well.

Morning Pages.  Meant to be three pages of free-writing every morning, sort of a core-dump to get everything out and both clear the head and (I think) prime the pump for writing.  Okay, this one is looking good for me.  But after a little experimentation, I think it's going to be Evening Pages.  See, the biggest issue I have in this area is not starting the day with too many things on my mind, but ending it that way.  Then thinking about them instead of sleeping.  So clearing the head, clearing the slate, getting it out (and maybe making a list for the next day) might help me sleep.  And that would certainly help my creativity.

Now I look at Week One, and the big thing here is Affirmations.  You know, say good things about yourself, and then listen to, the negative voices in your head--what she calls "blurts."  Then crush them.

Here's where it gets really tricky.  Okay, I can't really say "I am a brilliant writer," because that would be pretentious and patently untrue (I know of only a handful of writers I consider "brilliant").  But I can say that I am a darned good writer who writes some good reading.  And I'm not hearing much in the way of blurts.  Oh, there's the "so why aren't you selling more?" kind of thing.  But the answer to that so clearly has nothing to do with me as a writing.  Yeah, I suck at marketing.  Lot to learn there.  But writing?  I'm on it.  I don't mean to imply that I know everything there is to know about writing, just that I'm doing it, and learning every day.

So what the heck is wrong with me?  Why am I not an insecure writer?  And will it last?  Don't get me wrong--I have days when I can't sit down and write, days when I look at what I have written and groan.  But somewhere in the last year or two things have changed.  I'm not groaning "God, I suck as a writer, why am I even trying?"  I'm just groaning because editing is my least favorite part of the job and there's a lot to do.  But more and more I'm looking at my stuff and saying, "yeah, I can do this.  I sat down and wrote my obligatory crappy first draft [thank you Anne Lamott] and now I know how to get to work on making it good."

And more often than not, that's what I do.  And that's why I probably won't go on with the program, though I'm going to read at least one more week's worth.  Feels like jinxing myself when all is going well.

Please don't hate me for it. 

Meanwhile, I'm looking at the usual summer impediments: the kids are or soon will be out of school (one of each), which means I lose my solitary mornings for writing.  Plus, lots of vacation.  Okay, I don't mind about that.  But my challenge this summer is to keep working.  Just that: keep writing, finish the edits on Return to Skunk Corners, and put out that short story each week, at least.  At the same time as I figure out ways to get those teens out of the house (between vacation trips).  If I do all that, I'll be patting myself on the back.

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A Is For Alpine is here!  The paperback is now available at Amazon, or order directly from me (use the "Contact me" page) for $8, shipping to US included.